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■ Topic: Theorizing global popularity of South Korean 타이틀카지노 슬롯 and re-imagination of de-Westernizing theories

■ Purpose and Aim

The flows of South Korean 타이틀카지노 슬롯 and pop music (K-pop) across the globe (or hallyu) are among the most visible signals of a more multipolar global 타이틀카지노 슬롯 culture. Although there has been a proliferation of research in what is increasingly called “Korean Wave Studies,” heretofore, most theory-building has relied heavily on outside explanatory frameworks,. The purpose of this special issue is to call on scholars to articulate new theoretical directions that center around local contexts. We are not calling for a de-colonial abandonment of a Western canon but, rather, theoretical contributions that are not overly indebted to it, thereby avoiding incomplete explanations. We encourage scholars to push theoretical boundaries in order to make generative contributions that not only move forward the study of Korean 타이틀카지노 슬롯 and, perhaps, the study of other East Asian 타이틀카지노 슬롯 but that produce multipolar centers of knowledge production, which can contribute to a richer, global body of literature.

The counterflows of global Korean 타이틀카지노 슬롯 have attracted growing academic interest in terms of emerging cultural diversity, resistance to “minor” cultures and the ability to envision popular democracy outside of the unilateral construction of the West as the model of modernity and liberal democracy. There have been some calls to decolonize and de-Westernize the study of (East) Asian popular culture, but even hallyu studies that explain the global popularity of Korean 타이틀카지노 슬롯 through post-colonial theories such as hybridity, self-Orientalism, or post-colonial desire still draw upon existing theories popular in the Western academy rather than generate a new theoretical ferment.

Although this work has been productive, the context in which these theories developed differ from Korea’s postcolonial condition. Unlike postcolonial states dominated by the West, Korea’s colonial subjugation was violently enforced by Japan, a regional neighbor, and was displaced by the U.S.’s imperial ambitions in the Pacific Islands and East Asia. The post-coloniality of Korea and Korean culture differs from societies that postcolonial theories explain. Moreover, dynamics of globalizing Korean 타이틀카지노 슬롯 and the current use of new 타이틀카지노 슬롯 often fit uneasily. Korean 타이틀카지노 슬롯 have heavily relied on new 타이틀카지노 슬롯 strategies, and the nation’s cultural industries currently produce innovative digital content and platforms (i.e. digital games, webtoon, digital K-pop platforms). In the process, Korean 타이틀카지노 슬롯 industries frequently intervene in the global system by mobilizing popular participation worldwide through new 타이틀카지노 슬롯 which raise new social and political issues such as affective labor and affective social movements. As global popularity of Korean 타이틀카지노 슬롯 matures within the existing global hegemonic order, innovative efforts of Korean 타이틀카지노 슬롯 are oftentimes created for but constrained by its economic need to export its 타이틀카지노 슬롯 contents within a techno global hegemonic system.

These transformations require more theoretical work and should move toward more nuanced explanatory frameworks. We believe that it is necessary to develop new directions in the study of global Korean 타이틀카지노 슬롯. The purpose of this special issue is to build new theory that richly draws upon the specific context of globalizing South Korean 타이틀카지노 슬롯. This call takes up a similar ethos to Korean 타이틀카지노 슬롯, which is created within its local context but with a motivation to move beyond national or regional boundaries. Topics that scholars might address include, but are not limited to:

■ Detailed Topic(example)

- 타이틀카지노 슬롯 theoretical outlooks in the de-Westernization of Hallyu studies

- Theoretical implications of new 타이틀카지노 슬롯 use among global Hallyu and K-pop fans

- Indigenizing and localizing theories in the context of new trends of Korean 타이틀카지노 슬롯 and

- counterflows to 타이틀카지노 슬롯 hegemony.

- Reimagination of de-Westernizing theories that take into account the creativity of Korean cultural platforms amidst dynamic changes in the global 타이틀카지노 슬롯 sphere

- Counterflows of Korean 타이틀카지노 슬롯 in the world hegemonic order and the theoretical implications of de-westernization

- Theoretical implications of transnational fandom in relation to their social networking and technological production of intimate fan-idol relations through new 타이틀카지노 슬롯 platforms.

- Live experiences of global fans’ uses of new 타이틀카지노 슬롯 and cultural strategies of popular democracy

- Theoretical issues of popular participation in innovative production and civic movements through 타이틀카지노 슬롯 Hallyu platforms

- Theorizing the simultaneity of the post and the neocolonial in Korean 타이틀카지노 슬롯 and popular

- culture and localizing cultural theories

- 타이틀카지노 슬롯 methodological directions in Korean wave studies from the de-westernizing perspective

■ Submission

- Papers due by December 30, 2025.

- Submissions should be made directly to the special 타이틀카지노 슬롯s editor by email syoon@hanyang.ac.kr for pre-evaluation screening and revision by December 30.

- Individual articles should be no more than 7500 words, inclusive of tables, references, figures, or notes. Please adhere to the journal’s submission guidelines: http://www.sagepub.com/upm-data/45650_Manuscript_Submission.pdf

■ Inquiry

- Should you have any queries, feel free to forward it to Dr. Sunny Yoon at syoon@hanyang.ac.kr.

■ Guest editors

- Sunny Yoon:

Dr. Sunny Yoon is a professor of 타이틀카지노 슬롯 and Communication at Hanyang University in SouthKorea. She has published widely on cultural 타이틀카지노 슬롯, visual culture and ethnographic 타이틀카지노 슬롯 of타이틀카지노 슬롯 audiences. Her research also includes new technologies including digital games, social타이틀카지노 슬롯, AI and digital 타이틀카지노 슬롯 from the cultural studies perspective. She has authored numerousbooks including the monograph, Social 타이틀카지노 슬롯 and cultural politics of Korean pop culture in EastAsia (Routledge 2023).

- David Oh:

David Oh is an Associate Professor in the Department of Communications in the Newhouse School of Public Communications at Syracuse University. He has authored books about Asian Americans and 타이틀카지노 슬롯 and has edited books in critical Korean popular culture studies. In addition, he has published roughly 50 peer-reviewed essays in journals and edited collections, sits on eleven Editorial Boards in communication, cultural studies, fan studies, and 타이틀카지노 슬롯 studies. In 2018-19, he was a Fulbright Senior Scholar at Hankuk University of Foreign Studies.